On the occasion of the release of Nan Goldin’s film All the beauty and the bloodshed, I offer these drawings made during the screening at the Philharmonie de Paris in 2015, with music by the Tiger Lillies.
The Ballad of Sexual Dependency, made between 1979 and 1986, is one of Nan Goldin’s earliest photographic series, but remains today, and rightly so, the best known of all her works. The slide show projected on a large screen is accompanied by the Tiger Lillies. A London musical trio, they are dark, provocative and blasphemous, grimacing with their Brechtian inspiration which fits perfectly with the images. The Ballad of Sexual Dependency is a masterpiece, an authentic chronicle of modern times.
Nan Goldin, fotography
The Tiger Lillies Martyn Jacques, Adrian Stout, Jonas Golland
Free press and fanzines: the alternative press in France, from the 1960s to the present day
A real mass phenomenon, with its own codes, distribution networks and events on the fringes of mainstream culture, the alternative press remains little known in France.
Appearing by the hundreds in the wake of May ’68 and the British and American counterculture, independent newspapers and sheets offer a young public the subjects that the “serious” press dismisses – pop and rock music, ecology, nuclear power, regionalist movements, sexuality, street entertainment, feminism, pacifism -, treated in an iconoclastic and radical tone. Charlie Hebdo, Actuel and Le Parapluie are the most successful and enduring flagships of an underground wave that was sweeping through a generation of baby-boomers who were building their own culture as an alternative to the dominant ideology.*
It’s not over, quite the contrary. After the wonderful Festival delle Arti Giudecca, Sacca Fisola that will forever remain in my heart as a magnificent memory, the work continues. Until an important turning point, the discussion on the completed draft of the urban park project on the island of Poveglia. Long and difficult discussion among the tireless people of Poveglia Per Tutti, but nothing is left to chance. We will go all the way and we will not give up Poveglia.
For a new Venetian Renaissance, (European, world, universal…). September 2021. I went to the Cini Foundation in Venice as a delegate of the Poveglia per Tutti association. September 2022. At the Giudecca – Sacca Fisola Arts Festival exhibition, a friend told me: ‘You are the only person I know capable of drawing a person smiling behind a mask’.
« Les Formes du visible ». Conférence au Jeu de Paume, Paris, tenue par Philippe Descola, anthropologue, animée par Teresa Castro, en présence de Marine Hugonnier « La figuration n’est pas tout entière livrée à la fantaisie expressive de ceux qui font des images. On ne figure que ce que l’on perçoit ou imagine, et l’on n’imagine et ne perçoit que ce que l’habitude nous a enseigné à discerner. Le chemin visuel que nous traçons spontanément dans les plis du monde dépend de notre appartenance à l’une des quatre régions de l’archipel ontologique : animisme, naturalisme, totémisme ou analogisme. (…) une anthropologie de la figuration.